Inspired by COVID, as well as previous semesters’ attempts to turn to digital forms of media, this studio explored new methods for representing architecture, as well as the development of individual theses. Through lenses of weathering, re-occupation, and da-me architecture, drawings took a back seat to research, critical thinking, and exploration through video. My thesis explored a historic warehouse and ways in which its’ failing redevelopment could augment visitors’ experiences, while honoring the building’s construction and serving the community.
The production for the first two months of the studio consisted of three videos. Both the first and second were done in a vlogging format, and use a relaxed pace and pattern of speech to convey ideas about form and weathering to a broader audience. The final video of the semester was done in the style of a video essay. Here, I elaborate on my site's rich history, and it's place in the context of the city through time. By combining images and video from multiple time periods, the video tracks the significance of the site over time, both in its internal function and meaning to the city.
The intervention inside the building takes the form of a ramp, which allows for the building to make meaningful connections sectionally. Through weaving among the existing, the ramp offers form to an otherwise repetitive and unexciting space, while an outdoor terrace created below provides accessible views to local landmarks. The elevations begin to show how the development may be phased in, eventually terminating in an occupiable space on the roof.
Following the insights gained during the research of the project, representation is provided mainly in section and elevation. Through this the drawing set may help to represent the relationship between the existing building, context, hill, and river.
